Kritična teorija detektivskega romana
Magistrski študijski program Humanistični študiji / Fakulteta za humanistiko
- Allan, J. et al (ur.) (2020). The Routledge Companion to Crime Fiction. Oxon; New York: Routledge.
- Cawelti, J. (1977). Adventure, Mystery, and Romance: Formula Stories as Art and Popular Culture. Chicago: University of Chicago Press.
- Eco, U. (1979) The Role of the Reader: Explorations in the Semiotics of Texts. Bloomington: Indiana University Press. Katalog E-gradivo
- Hall, S. (2003). The Work of Representation. V Hall, S (ur.), Representation: Cultural Representations and Signifying Practices. London; Thousand Oaks; New Delhi: SAGE, 13–74. Katalog
- Komel, M. (ur.) (2023). Memento umori II. Novo Mesto: Goga. Katalog
- Knight, S. (1980). Form and Ideology in Crime Fiction. Houndmills: Macmillan E-gradivo
- Joyce, L., Sutton, H. (ur.). (2018). Domestic Noir: The New Face of 21st Century Crime Fiction. London: Palgrave Macmillan, 115–136. http://dx.doi.org/10.1007/978-3-319-69338-5
- Palmer, J. (1979). Thrillers: Genesis and Structure of a Popular Genre. New York: St. Martin’s Press. E-gradivo
- Saval, V. J. (2020). Crime Fiction and Politics. V Allan, J. et al, The Routledge Companion to Crime Fiction, Oxon; New York: Routledge, 327–334.
- Stove, W., Most, G. (ur.) (1983). Poetics of Murder: Detective Fiction and Literary Theory. San Diego; New York; London: Harcourt Brace Jovanovich, E-gradivo
- Winston P. Robert, Mellerski C. Nancy (1992). The Public Eye: Ideology and the Police Procedural. Basingstoke, London: Macmillan.
- Žižek, S., R. Močnik (ur.) (1982). Memento umori. Ljubljana: Državna založba Slovenije. Katalog