Fotografija in državljanstvo

Magistrski študijski program Humanistični študiji / Fakulteta za humanistiko

Azoulay, Ariella. 2008. The Civil Contract of Photography. Katalog
Agamben, Giorgio. 2000. “The Face.” Means Without End. Notes on Politics. E-gradivo
Sander, August. 2003 [1929]. Face of Our Time : Sixty Portraits of Twentieth-Century Germans.
Guenther, Hans F. K. 1970 [1927]. The Racial Elements of European History. Translated by G. C. Wheeler. London: Methuen and Company. E-gradivo
Cho, Lily. 2009. “Citizenship, Diaspora and the Bonds of Affect: The Passport Photograph.” Photography and Culture 2 (3): 275–87. https://doi.org/10.2752/175145109X12532077132310
Salter, Mark. 2003. Rights of Passage : The Passport in International Relations.
Torpey, John. 2001. The Invention of the Passport : Surveillance, Citizenship and the State. Katalog
Groebner, Valentin. 2007. Who Are You? : Identification, Deception, and Surveillance in Early Modern Europe. Katalog
Cole, Simon A. 2001. Suspect Identities: A History of Fingerprinting and Criminal Identification.
Sekula, Allan. 1986. “The Body and the Archive.” October 39 (Winter): 3–64. E-gradivo
Gunning, Tom. 1995. “Tracing the Individual Body: Photography, Detectives and Early Cinema.” In Cinema and the Invention of Modern Life. E-gradivo
Tagg, John. 1993. The Burden of Representation. Essays on Photographies and Histories.
Butler, Judith. 1988. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Edited by Sue-Ellen Case. Theatre Journal 40 (4): 519–31. E-gradivo
Edwards, Elizabeth. 1990. “The Image as Anthropological Document.” Visual Anthropology 3: 235–58. https://doi.org/10.1080/08949468.1990.9966534
Daston, Lorraine, and Peter Galison. 2007. “Mechanical Objectivity.” In Objectivity. Katalog
Didi-Huberman, Georges. 2003. Invention of Hysteria. Charcot and the Photographic Iconography of the Salpetriere. E-gradivo