University Library

Economics of cultural heritage and creativity

Doctoral study programme Cultural Heritage Studies / Graduate school

  • Brandi, C., (2005), Theory of Restoration, Nardini Editore
  • Cominelli, F., (2013) : Economie du patrimoine immatériel : Le cas des métiers d’art, Thèse de Doctorat, Université de Paris I, Centre d’économie de la Sorbonne E-version
  • Danto, A.C., (2013), What Art Is ?, Yale University Press E-version
  • Dean E. Arnold, (1985), Ceramics Theory and Cultural Process, Cambridge University Press E-version
  • Dormer. P., (1997), The Culture of Craft: Status and Future, Manchester University Press E-version
  • Farinelli, G., (2009), De la raison cartographique, Paris: Editions du comité des travaux historiques et scientifiques
  • Gombrich, E., (2002), The preference for the Primitive Episodes in the History of Western Taste and Art, London: Phaidon Press E-version
  • Greffe, X., (1988), L’économie du patrimoine: l’offre et le demande de monuments, Paris: Economica.
  • Greffe, X., (2004), La valorisation économique du patrimoine, Paris: La documentation française
  • Greffe, X., (2007), Artistes et marchés, Paris : La documentation française
  • Greffe, X., (2007), Managing Creative Enterprises, Genève : WIPO-WTO E-version
  • Greffe, X. (2011): “The Economic Impact of The Louvre”, The Journal of Arts Management and Law, N°1, pp 75-101.
  • Greffe, X. (2012), L’artiste-entreprise, Paris: Dalloz
  • Greffe, X., (2013), Artistes et politiques, Paris : Economica
  • Harvey, D., (1989), The Urban Experience, Oxford: Blackwell E-version
  • Jodidio, Ph. (sous la direction de), (2007), Building on The Past the Aga Khan City Program, London: Prestel
  • Kirby, A., (2009), Digimodernism : How new technologies Dismantle the Postmodern and Reconfigure Our culture, New York : Continuum Empire Monde E-version
  • Licciardi, G. & R. Amirtahmasebi, eds., (2012), The Economics of Uniqueness: Investing in Historic City Cores and Cultural Heritage Assets for Sustainable Development, Washington D.C. : The World Bank E-version
  • Mitchell, D., (2006), Cultural Geography: A Cultural Introduction, London : Blackwell Publishing,
  • Molotch, E., (2003), Where Stuff Comes From: How Toasters, Toilets, Cars, Computers and Many Other Things Come to Be As They Are, New York: Taylor & Francis E-version
  • Ostrom, E. &Ch. Hess, eds., (2006), Understanding Knowledge as a Commons: From Theory to Practice, Cambridge, Mass.:The MIT Press E-version
  • Rectanus, Mark, W., (2002), Culture Incorporated: Museums, Artists and Corporate Sponsorships, Minneapolis: University of Minnesota Press. E-version
  • Risatti. H., (2007), The Theory of Crafts: Function and Aesthetic Expression, The University of North Carolina Press
  • Sennett, R., (2008), The Craftsman, London, Penguin Books. Traduction française: Ce que sait la main. La culture de l’artisanat, Paris : Albin Michel, 2010. Sage E-version
  • Zukin, Sh., (1991), Landscapes of Power: From Detroit to Disney World, Berkeley : University of California Press E-version